ULTRA-MARINE 2402
Description of the work
- Media Oil on canvas
- Location SIGNIEL BUSAN Lobby
Drawing from the sacred connotations of ultramarine once used in religious iconography, the artist uses this pigment to visualize the density of life and the stillness of the inner self—sensations that defy language. Rather than brushes or knives, Kim employs his fingertips to press the pigment directly onto the canvas, creating a meditative rhythm of touch. From a distance, the work may appear as a monochromatic surface, but upon closer inspection, subtle variations in pressure and pigment density reveal a serene, spiritual topography.
Rooted in the philosophy of Korea’s first-generation Dansaekhwa artists, Kim’s practice honors their legacy while also forging a unique path. His ascetic process and uncompromising devotion to a single hue open new possibilities for painting today. Before his canvases of profound ultramarine, viewers are invited to project their own emotions and reflections—experiencing a quiet yet powerful visual resonance.
Artwork Inquiry : 1533-8017
About the author
In 2012, Kim took part in the landmark Dansaekhwa exhibition at the National Museum of Modern and Contemporary Art, alongside Park Seo-Bo, Lee Ufan, and Chung Sang-Hwa. He is represented by Leeahn Gallery and has exhibited extensively in Korea and abroad.
Kim received the 3rd Total Art Prize and represented Korea at the 23rd São Paulo Biennale. From 1996 to 2022, he has been a professor of Western Painting at Seoul National University.
His works are part of major collections including MMCA, Seoul Museum of Art, Samsung Museum of Art, Seongkok Art Museum, and the Embassy of Korea in Germany.
M.F.A., Graduate School of Seoul National University
B.F.A., College of Fine Arts, Seoul National University




